Category Archives: Teaching

My teaching demonstration, Part III

My teaching workshop is now over, and while I learned a lot, I’m happy to be finished. It was hard to spend all day in a workshop when I had lots of work to do at home. And doing teaching demonstrations for my peers is stressful, and I’m glad I don’t have any more to plan.

But the last one went well; it was probably my best. I did another lesson on metaphors, a follow-up to last week’s lesson, this time looking specifically at metaphors in poetry. This is the poem we discussed, by Linda Pastan:

Marks

My husband gives me an A
for last night’s supper,
an incomplete for my ironing,
a B plus in bed.
My son says I am average,
an average mother, but if
I put my mind to it
I could improve.
My daughter believes
in Pass/Fail and tells me
I pass. Wait ’til they learn
I’m dropping out.

This poem worked well because it’s short and it’s got one main metaphor that’s possible to discuss satisfactorily in 10 minutes. I asked the class to write some quick thoughts about the speaker’s feelings in the poem, which we discussed, and then I paraphrased a part of the poem, taking out the metaphor, and asked which worked better, my paraphrase or the poem. The answer is obvious — the poem is much better than my paraphrase — and we talked about what metaphors have to offer a poet.

Another workshop participant did a great lesson on connotations in poetry; she put about a dozen words on the chalkboard and asked us in small groups to write down the associations we bring to them, which we discussed for a while, eventually beginning to make connections among the words. And then we learned she took the words from a poem by Robert Hayden, “Those Winter Sundays,” which we could make almost immediate sense of because we’d spent so long looking at some of its individual words.

I loved that way of approaching a poem — closely considering some of the important words out of their context, so that in context we brought a lot of thought and depth to them immediately. I think that this could work really well with students who are intimidated by poetry, because they can get comfortable with the words before being confronted with the poem itself. It was almost like we were building the poem ourselves, starting with the same building blocks the poet did.

The other great part of the day was doing a social styles inventory — categorizing ourselves into one of four different types: the driver, the analytical type, the expressive type, or the amiable type (those labels bug me because they’re not parallel). The driver is the take-charge person; the analytical type is organized, methodical, and thoughtful; the expressive type is artistic, imaginative, and talkative; and the amiable type is the friendly people-pleaser. The idea is that each teacher fits into somewhere in one (or more) of these categories and each of our students does also, and as teachers we should try to reach out to students with different styles and not always use the style of interaction that comes naturally to us. Analytical teachers tend to teach best to analytical students but might lose the expressive ones, for example.

I was not surprised to find that I fit the analytical type the closest, and am also pretty strong in the amiable category. My scores in the expressive and driver categories were extremely low. That struck me as absolutely right — I’m reserved, introverted, thoughtful, organized, detail-oriented as analytical types are, and I’m also in tune with other people and eager to make other people happy as amiable types are. And I think I tend to lose the expressive type students in my classes, which is something I can work on.

I tend to be skeptical of personality tests — I never feel like my answers to the questions are all that accurate — but the results to this one seemed right on.

I’ve come out of this workshop knowing more about teaching, but also knowing more about myself. It was worth giving up a month’s worth of Fridays for, I think.

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My teaching demonstration, Part II

Two teaching demonstrations down and one more to go next week. I’ll be glad when this workshop is over, much as I am learning from it and enjoying it. I normally spend Friday madly grading, and I hate having to push the mad grading off until Saturday and Sunday because I’m at the workshop all day Friday.

Yesterday my teaching demonstration went okay. The lesson didn’t go as well as last week’s pace line lesson went, but I was also working with a much harder, more abstract topic: metaphors. The idea was that the metaphors we use shape how we think about ideas, basically the idea in George Lakoff’s Metaphors We Live By. For example, we think about arguments in terms of war or battle metaphors (“you shot down my idea,” or “you’ve never beaten me in an argument”) and argument becomes war when it doesn’t necessarily have to be so. I like this concept a lot, and the class got it by the end, but there was a bit of confusion as we went along. Perhaps it was just too complex for my short 10 minutes — but a fun challenge anyway.

But the really interesting parts of the day came first when we were discussing my lesson, and the Business and Computer Science instructors thought I needed to spend a little more time defining “metaphor.” They hadn’t thought about the term since they were in college and spent part of the lesson in confusion. That took me a bit by surprise, since I tend to assume that people — adults at least — can produce a workable definition of the word immediately and are ready to jump to more theoretical ideas about metaphors right away.

And then as I sat in the Business instructor’s teaching demonstration, I experienced moments of panic as she introduced the lesson and asked us to do an activity that I had no idea how to do. She gave us a chart with numbers and asked us to analyze the numbers and come up with definitions of terms such as “unit fixed costs,” “total fixed costs,” “unit variable costs,” and “total variable costs.” I sat there looking at the numbers and thinking, “What???” It’s not that I’m bad with numbers. I’m actually good with numbers and I like them a lot, but I couldn’t wrap my mind around the instructions and those business terms, and I did my best but didn’t figure it out right away.

We talked in our discussion later about how she could have offered us clearer instructions to help us out, but as we were in the lesson, other people seemed to be getting it without the extra instructions. I sat there thinking, “please don’t call on me, please don’t call on me!! Because then I’m going to have to admit that I don’t get it at all, when I’d really rather just sit here and stare at my paper avoiding eye contact with you and waiting this lesson out.”

Later the Business instructor and I had a moment of understanding: we’d bewildered each other, and now we both had a better idea of what our students feel when they don’t get what we’re doing, and the rest of the class seems to get it, and they might have to admit publicly that they don’t get it and feel stupid.

It’s great to be reminded of how students feel sometimes — and not just to be reminded, but to experience it, to feel the intimidation and panic myself.

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My teaching demonstration

So you know how I wrote last week about my teaching workshop and the 10 minute mini-lesson I’d have to do? I had to do the lesson yesterday, and I ended up doing the lesson I mentioned in my last post, the one on a cycling pace line. And I thought it went pretty well. I was the only one, out of five participants, who finished within the 10 minutes; everybody else got cut off short (the workshop leaders had no mercy and wouldn’t let anybody seize a few extra minutes to finish up). This seems typical of me: I’m generally an extraordinarily good direction-follower (not always a good thing, let me say) and someone who doesn’t tend to take up a whole lot of anybody’s time. We had a short feedback session after each lesson, and one of the participants said that she thought I might have taken less than the allotted ten minutes if people hadn’t asked questions. That’s true; if I’m at all nervous (which I was, a little bit), I’ll rush, and forget half of what I wanted to say. And I was trying so hard to keep from going over 10 minutes — not a long stretch of time at all — that I was in danger of overdoing it.

But the session did go well. I made them act out a pace line, so they got to walk around the room, rotating from front to back up to the front again as they went, and then we talked about the benefits of a pace line (drafting) and the dangers (bumping into other riders) and the need to keep a steady pace and not stay in the lead too long.

The “class” responded very well to my enthusiasm; I started off talking about how some of my happiest moments have been spent on a bike and particularly riding in a pace line, and people talked about that afterwards as a highlight of the lesson. I’m reminded that a little bit of enthusiasm in the classroom will go a long way. And they liked the active nature of the lesson. I’m sure I don’t take enough opportunities in my regular classes to make students move around and do things and be active in some way.

I also learned that spending seven hours in one room with the same people — actually it was more like 6 1/2 since we got out early — is exhausting. I’m a pretty extreme introvert in the technical sense: even though I like being around people a lot, it drains me of energy, and I need a lot of time to recover. By the end of the day I was ready to crawl into a corner and refuse to talk to anybody.

So, two more Fridays in this workshop, and two more mini-lessons. Even though I think I could easily do two more lessons in cycling, I’ll probably try to teach something about writing or about literature. But I have no idea what.

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On teaching

So I signed up for a workshop at my job that teaches instructional skills; it’s called, logically enough, an Instructional Skills Workshop, or ISW. The workshop involves four Fridays this October. We met yesterday for four hours, and we’ll meet the next three Fridays for seven hours and learn about things like creating effective lesson plans, formulating learning outcomes, assessing student learning, and encouraging student participation in class.

On the one hand, all that sounds kind of boring and bureaucratic. Say the words “outcomes” and “assessment” to average academics and they will roll their eyes. On the other hand, though, today’s workshop was fun, and I think I’ll learn a lot. It’s very practical, so what I’m learning will be directly usable in class. I’m guessing it’s kind of like coursework you might do for a degree in elementary or secondary education — where they actually teach you how to teach — shortened into four days. And that sounds like a very good idea to me, since many, many college instructors don’t get formal training in pedagogy. I got some training in how to teach writing, but very little in how to manage a classroom. My problem is that while I know some things about good teaching, my knowledge is kind of vague and nebulous, and this sort of workshop will help me be more consistent and systematic about doing the things good teachers do.

This kind of workshop works for me, since I’m more of a planner than a spontaneous teacher, and this way I’ll learn better ways to plan. The things we’re learning don’t preclude some spontaneity anyway. This is one way the Hobgoblin and I are quite different; he’s got a post on more spontaneous forms of teaching, which sound great but just aren’t my style. I think I’m learning ways to play to my strengths as a teacher rather than trying to be a kind of teacher I’m not (the kind who can wing it successfully).

The main part of the workshop is a series of mini-lessons all the participants have to do: one a week for the next three weeks. I’m supposed to do a 10-minute lesson on whatever I want next Friday, so I’m wracking my brains for what I can teach. The workshop leaders recommend teaching something out of one’s discipline — a hobby or non-academic skill one has, for example. So I might teach something related to cycling. I’d thought about doing a lesson on how to watch a bike race; i.e. how to make sense of what’s happening. But the lesson is supposed to be interactive in some way, and I’m not sure how to teach that lesson interactively. Then I thought of teaching the concept of the pace line — what it is and why cyclists use them. I can be interactive with this lesson easily — I can make everyone form a line and pretend we’re riding and act out the paceline’s movements.

Anything about cycling anybody out there has always wanted to know? I don’t think anyone else in the group knows much about it, so I can get away with teaching the basics.

We’ll get videotaped as we teach, but, thank God, we’re not forced to watch ourselves. We’ll get feedback on our teaching, which will be fine, but I can’t handle the thought of watching myself on tape. And I don’t even own a VCR, so I have no easy way to watch the tape anyway. What a relief.

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Required reading

So, I have to read two books for my job. They are the “summer reading” books for incoming freshmen, and I don’t know how the freshmen are feeling about this assignment, but I’m none too happy. This is sort of strange, because I’m normally the kind of person who doesn’t complain about assignments and required reading; I’m a dutiful student who will pretty much read whatever the teacher tells me too. But in this case, it’s not a teacher telling me to read something, but the higher-ups at work, and the entire summer reading concept doesn’t make a whole lot of sense at my school. If this were a meaningful reading assignment for the students, one that were carefully planned and integrated into some kind of program or into classes, that would be better, but it’s really not. There’s one day when we’re supposed to discuss the books with the students, and after that it’s up to individual teachers to figure out if they want to use the books in class. Really, I’d prefer not to use them at all. And I know exactly how the two summer reading books were chosen, and it wasn’t exactly the most intellectually rigorous process.

What worries me is that the students will recognize that this was a pretty meaningless assignment — of course, any reading they do is good, so it’s not “meaningless” really, but they come to school expecting the programs and curriculum to make sense, expecting things to fit together, expecting to find that they will have to write about the books or that the discussions will be lengthy and in-depth. And they won’t find this. Instead, it’ll get brushed aside pretty quickly, and they’ll learn that they could have skipped the assignment entirely. And that’s not the attitude I want them to pick up right off the bat. We have a freshman summer reading assignment for reasons of image, I think; the higher-ups think it sounds like a good idea and, after all, everybody else does it. What the school doesn’t do is think through the purpose of the reading assignment and how (and whether) they can integrate it into everything else going on.

I’m left feeling like a rebellious student who’s trying to find a way out of doing my work. Should I call in sick the day of the book discussion? Alas, I probably won’t. Skimming? Online summaries of the books?

No, this isn’t one of my best moments.

The books are Fast Food Nation and Sparrow by Mary Doria Russell. Fast Food Nation shouldn’t be too painful — I might find it engaging and might learn something from it, although I feel like I’ve kind of got the concept already and so am already feeling in danger of boredom. Sparrow I don’t know anything about. Is there someone out there who can make me feel better about having to read this? Please, someone, tell me it’s a great book, and then maybe I can muster up some excitement.

I often have to read things for work — the things I teach in class — but those are things I’ve chosen. The length of this summer reading assignment and my complete lack of control over the choices, however, are what’s getting to me.

Okay — sorry about the self-indulgent whining! I know, I know, it’s terrible that I have to read books for my job. Poor me.

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Ways of reading

There’s a really interesting conversation on reading and teaching literature going on over at Litlove’s blog: check out this post on Huck Finn and make sure to read the comments, and then check out this and this follow-up post on teaching literature. The Hobgoblin is writing about it too: check out these two posts, and over at Reading Matters they are discussing getting turned off of books in high school: see this and this. There seems to be a lot of interest in the topic; people are considering ways to inspire a love of reading in students instead of destroying the experience for them, as too often happens, and they are writing about academic and non-academic, or general, or “common,” ways of reading and the relationship between the two.

For me, I had a wonderful undergraduate experience of studying literature, and what I remember most is the passionate way some of my professors spoke about what we were reading. In the best classes, there was no divide between emotion and intellect; these professors modeled a way of responding to literature that was smart and academic and intellectual, but was also personal. I remember a friend with whom I shared a class saying that we weren’t taking a class in the Modern European Novel, we were taking a class in Literature and Life. And it felt that way – the professor wasn’t afraid to make connections between what we were reading and his own life and he encouraged us to make our own such connections. The critical theory class I took was a bit less personal, but we still had the feeling that what we were doing was less reading up on critical theory and more trying to gain some wisdom about the world. Now, this department had a pretty traditional, conservative approach to the discipline, one that I learned how to critique in grad school, but I am very grateful for the things I read and the things I learned – even those things, maybe especially those things, my teachers didn’t set out to teach me.

I didn’t see this passionate, emotional approach in grad school all that much. In my undergrad years, I felt that we were encouraged to read and think and write with our whole beings, but in grad school, this attitude was more embarrassing than anything else. My first impulse is to say, well, grad school is the time students get professional about the discipline, and so there’s less room for the emotional stuff. But that’s wrong – what I really think is that the way grad school can squeeze the passion out of some people is a very sad thing. The difficulty comes partly from the theoretical environment of the time – I am very interested in theory, but some kinds of theory make it difficult to talk about emotion and personal responses and the big questions of life and our personal stakes in our reading without feeling naïve. And grad school doesn’t encourage risk-taking or vulnerability; on the contrary, it can be so hard on the ego that students are left not knowing what to think or what they like anymore.

I also think our understanding of what it means to be professional shouldn’t include being emotionless and dry. Becoming a professional shouldn’t involve chopping oneself up into discrete sections – mind here, heart there; academic reading here, fun reading there (to be kept secret); dry critical prose here, personal writing there (also to be kept secret).

And, moving away from the world of academia, I think book blogs are places where people can, if they are interested, combine intellectual and personal approaches to reading. I think of my own blog as a place to explore ideas – maybe even serious, theoretical ideas – and also as a place to talk about how much I love books and how much fun it is to be a reader and how I react to books personally, and also as a place to remind myself that I do more than read and think, that I have a body that needs to go out and ride a bike regularly.

One of the things I love best about blogging is the way it brings together people from such diverse backgrounds, so we can have a conversation about books and reading that includes people with all levels of academic training, from those who stopped studying English after high school or their college Introduction to Literature course to those who have a PhD. Everyone benefits from this. From what I have seen, book conversations in academic departments can too often turn into competition and intellectual posturing and people forget their enthusiasm about books. Academics can benefit from remembering the much broader world of enthusiastic reading and writing that goes on outside the university. And I think there are lots of non-academic readers who are eager to hear about the ideas and theories academics have read and thought up. We too easily forget that we all have something to teach each other.

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