Monthly Archives: April 2012

I wrote a post a little over a year ago in which I discussed some of my favorite literary podcasts, and I thought I would do a little update of that post, since I’ve found some new ones lately that I like. I’m still listening to Radio Open Source, and to the occasional author interviews on The Leonard Lopate Show and (less often) The Brian Lehrer Show and Fresh Air. But I’ve added to those The Bat Segundo Show, which is devoted solely to author interviews and in-depth discussion of books. Also, I’ve recently discovered Other People, which is author interviews conducted by novelist Brad Listi. While Bat Segundo is all about digging into the details of the books, Other People often doesn’t get to the book at all; I’ll sometimes get to the end of an interview and have no idea what the book is about. But I like it anyway because I learn a lot about the author and the conversations are amusing, and, more often than not, I finish the show wanting to read the book. The first time I listened to the podcast I was surprised to hear the host monologue about his personal life for 10 minutes or so, and I thought, wait, why do I care about you? Get to the interview! Shut up about yourself! But by the time I listened to the podcast again, I’d begun to like the opening monologue, and now I make a point of listening to it. These things grow on you.

And more recently I’ve discovered a bunch of other podcasts, some of which I’m still figuring out whether I really like or not. There’s Books on the Nightstand, which offers book recommendations from its two hosts, as well as news about the book world and issues related to reading and publishing. I like the concept of this podcast, although I haven’t figured out how much my reading tastes coincide with theirs. There’s also The Readers, which is done by two British guys who chat about books they like and host a summer book club. Again, I’m not sure how much my reading taste overlaps with theirs, and sometimes their show is a bit too giggly for my taste, but still, it can be interesting and fun.

There’s also the New York Times Book Review Podcast, which is basically supplemental material to the book review with author interviews and discussions of the best seller list. And there’s the Bookrageous Podcast with more book chat, and the BBC World Book Club with author interviews.

I’m a little afraid to ask if there are others you recommend because I have so much to listen to already, but … are there?

Another summary post, for now:

• In March I read Ben Marcus’s Notable American Women, which I liked, mostly. I’ve been talking about Ben Marcus a lot with a friend who has been curious about Marcus and his ideas about experimental fiction, and I thought I’d try his one book that was currently available in the library. I’m looking forward to reading his most recent novel The Flame Alphabet when the hold comes in. But for now, Notable American Women was strange in a very interesting way. It’s about a cult of women in Ohio who try to cut language and movement out of their lives as much as possible. They basically try to shut themselves down entirely, removing themselves from engagement with the world. The main character is named Ben Marcus (I don’t get why experimental writers so often name their characters after themselves. It surely was a good idea the first time or so someone did it, but to be doing it still??), and he lives in this cult, trying to find his place in it and to figure out how to relate to his distant mother, and his father, who appears to be buried in the front yard. I liked the first part of the novel very much, which takes the form of a letter from the father to the reader, and the last part is also great, in the form of a letter from his mother. The middle describes the rules and procedures of the cult, and it’s strange — strangely fascinating at times and at times a little dull. All in all, it’s a memorable take on language, power, and family relationships.
• Lidia Yuknavitch’s The Chronology of Water: A Memoir was a harrowing read. A friend asked me what it’s about, and I started to describe it — her difficult childhood, her rebellion, her struggles with addiction, her complex relationship with sexuality, her redemption through writing — and it all sounded so cliche. But that’s not how the book felt, largely because the writing is powerful and the story isn’t told in chronological order. It’s told in a loose, impressionistic, associative way, and the sentences move into poetic territory at times and at times collapse in on themselves. Mostly, I liked this. There is something compelling about Yuknavitch’s persona, something I liked about her, even though she practically dares you not to like her. At times the aggression of the writing was too much for me and at times the persona was just too prickly for me to handle. But there is a power in this book that made it hard to put down.
• I don’t remember where I heard about Maggie Nelson’s Bluets, but I’m glad I paid attention to wherever it was, because I loved this book. It’s a short meditation on the color blue, written in brief numbered sections that look at “blue” philosophically, biologically, poetically, autobiographically, sociologically, and probably in other ways as well. It’s also the story of a breakup and the suffering that came with it. As always with a book like this, my enjoyment of it comes down to the persona, and in this case, I loved her, especially for her emotional rawness and sexual frankness mixed with a careful, philosophical thoughtfulness. There’s a confessional quality to the book that works beautifully because of the way it’s part of a larger context of ideas.
• David Lipsky’s Although Of Course You End Up Becoming Yourself is basically a transcript of a multi-day interview Lipsky did with David Foster Wallace in 1996, just after the publication of Infinite Jest. Lipsky has written an introduction to the transcript, and has also inserted short explanations and commentary into the dialogue, but mostly it’s just the two of them talking, complete with sentences that trail off into nothingness and awkward transitions between topics that probably didn’t seem awkward at the time. Their conversations are interesting, for the most part, many of them about the process of writing Infinite Jest and Wallace’s attempts to make sense of his new-found fame and success. He was desperately worried about getting so caught up in the whirl of publicity that he would come to rely on it. You can see him both enjoying the attention of the interviewer and waiting eagerly for it all to be over, so he could get back to his normal quiet writing life. Lipsky’s book was published after Wallace’s death, and much of what Wallace says about suffering takes on a new meaning in that light. I don’t think this book would be that interesting for anyone not familiar with Wallace, and probably it’s best to have read Infinite Jest first, to understand a lot of the references in their conversations. I stumbled now and then over places where the conversation bordered on incoherence, but mostly I found the book absorbing, and I loved the insights into Wallace’s character and his writing.