Category Archives: Blogging

Books and book blogs

In addition to the four books I’ve had going in recent days, I’ve begun reading Sara Nelson’s So Many Books, So Little Time. I’ve got mixed feelings about it. It’s kind of fun, and it keeps me interested and happily turning the pages, but … I’m just not that impressed with her book discussions. The idea behind the book is that she’ll read a book a week for a year and then write about them. The chapters are short meditations on some of those books — she’s also got a list at the back of books she read but didn’t discuss — where she writes about how she found the book, what the book’s about, what she thinks about it. The chapters tend to have more on context, how she found the book and the circumstances in which she’s reading it, than about content.

She’s got a chapter on “The Clean Plate Book Club,” about how she learned to set down books she’s not enjoying rather than suffering through to the end, and another on what it means when a new friend gives you a book — it’s the moment of truth, when you find out for sure if this friendship will last. She writes about how important the location and the timing are in determining how much you will enjoy a book, and about what it feels like to get completely wrapped up in a book so much so that you can’t put it down.

All that’s good. But I’m reading along and thinking that my blog writer friends do this exact same thing and do it better. It’s a reading diary, and an exploration of what it’s like to be a reader, and a discussion of a lot of individual books, and I love that stuff, but I’m thinking I now prefer to get it from a bunch of blogs rather than a book. It strikes me as much nicer to read a person’s reading diary as it gets produced, in regular blog posts, and to be able to comment on it and maybe influence how that reader thinks and what he or she reads, and to be able to respond on my blog, and do all the things book bloggers do. As far as reading diaries go, they seem much more interesting on blogs than in books, where they can be interactive and immediate.

I’m also not connecting with Nelson’s choice of books, which accounts for some of my mixed feelings. I picked up the book hoping to get some good recommendations, at least, but nothing she’s reading is really getting my interest. For this type of book to work, the author has to win the reader over, and I’m feeling a little bit resistant still. I’m hoping to get a little more excited about the book as I read further (being a loyal member of the Clean Plate Book Club, I’m afraid), and it is reliably entertaining, but I’m coming away from it feeling more than justified in all the time I devote to reading book blogs.

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A whiny post, revised for less whining

Okay, so I just wrote a couple of paragraphs whining about being tired, and then I deleted them. Who wants to hear me whining, after all?

What I’ll write about instead of whining is what it’s like to write in my blog every day. I’m curious how people who blog decide how often to write and what inspires them to write when they do, and if they feel guilty for neglecting the blog for a while, and, if they write regularly or every day, if they long for a break at times.

For the most part, I love writing every day. I find writing a good way to start my evening — to create a break between my work day and my evening (assuming I’m not doing some work in the evening, which isn’t always the case). What I’ve been doing lately is writing something in the evening and then posting it in the morning. That way, I can look it over and make sure I didn’t say anything ridiculous and maybe change a few things if I feel like it. I like waking up in the morning and having a brand new blog post waiting for me to publish it.

I worried when I started this that I’d run out of ideas. But mostly I don’t. Mostly I have a couple ideas for blog posts lurking in my brain somewhere, waiting their turn to get out. Okay, today is maybe an exception; if I were still in a whiny mode, I’d write about being too tired to read much and get much out of it, too tired to concentrate and therefore too tired to keep the blogging ideas flowing. Hence this random post. But, really, almost always there’s something in my reading that triggers the thought, “blog post!”

I do sometimes feel that because I’ve established the pattern of writing every day, I have to keep writing every day. The fun part of blogging is having people read me, and even though people who read me would understand if I don’t post on a certain day, I’m sure, I do feel that if I don’t post, something is missing, something is wrong, something is lacking out there and I have to fix it, people are checking my blog, and there’s nothing new. I don’t feel that this is a burden, and if I did, I’d do what litlove did, and declare that I’m going to follow some new pattern, one that gives me more flexibility.

Rather, it’s a discipline that keeps me thinking critically about what I’m reading and how my cycling is going. And it’s not a burdensome discipline, but a delightful one. It’s kind of fun to think that there are a bunch of blog posts that I’ll be writing in the coming weeks and months, and I have no idea what they are about, but they will get written, and I’ll come up with an idea every day, reliably. Maybe that’s what makes the discipline of writing every day so delightful: I’m showing myself again and again that I have stuff to say. Given my uncertainties about my interest in writing and my writing ability, that’s a good lesson.

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Writing and authenticity, part II

I got such great comments in response to yesterday’s post, I thought I could respond to some of them here instead of responding in the comments. This is what I don’t like about complaints that there is too much “meta-blogging” — obviously, people like blogging about blogging, based on the response it gets. So why not do it? Why not do a little thinking-through of this new genre occasionally? Bloggers are experiencing some new and interesting things, and it deserves some thought and discussion.

One of the most interesting things people talked about (it feels natural to say that people “talk” on a blog rather than or in addition to “writing” on a blog — commenting on a blog is a mix of talking and writing?) is the way they like who they are on the blog, and this “blog self” helps them deal with their “real self.” It’s like the blog is a chance to create or recreate yourself in a space that’s more easily controlled than any “real-life,” physical situation. In that space — with a pseudonym or not — you have more freedom to experiment with who you are without all the usual markers that label you in some way — one’s body, clothes, possessions, job, etc. And what you learn in the space of a blog can be carried over into the rest of your life.

For me, I’ve been learning a lot about how much fun writing is. The writing I did in grad school did not teach me that lesson. Well, that’s not entirely true; I learned that, for me, critical writing is satisfying in the way that riding a century (100 miles) is — it’s hard and painful and I wonder why I began at all, and then I find moments of exhilaration and pleasure. Sometimes those difficult-but-rewarding things are worth it — the pleasure outweighs the pain — sometimes they’re not. But the blog is teaching me that writing can be like an easy spin on a sunny, spring day: a little effort, and a lot of joy.

I like the story of Dr. Crazy, who wrote a blog and created a voice she decided she didn’t like and that didn’t suit her, and who then decided to create a new blog with a new persona to find a more flexible, more “authentic” voice (see Casey if you want to discuss that troubling term “authentic”). She carried her readers along with her from one blog to another, so it wasn’t the kind of starting over that involved cutting all ties to the old self; it more about claiming a new “space” in which to write in a new way, declaring that she’s starting over. I love it that on a blog a person can say, okay, now I’m giving you a different version of myself than the one you saw before, and readers will understand and appreciate what’s going on.

Thinking about how one’s blogging self can change one’s “real” self makes me curious about how people deal with having family or friends read their blogs. Because if the blog self is in some sense an experiment, then what do you do if people who know you know about your experimentations? Does that bother you? This is a difficult question for me, since I tend to be extremely self-conscious about how others see me (more so than other people? I’m not sure). I don’t really want to be “caught” self-consciously experimenting. People wrote about this yesterday actually, about feeling self-conscious when family or friends read them.

I’ve got a few friends whom I’ve told about the blog; I felt both that the blog is something important that’s happening in my life and that my good friends should know about that and that the things I write about are the things I want to discuss with them, and I can’t do it naturally while pretending I don’t write about those things here. I’ve dealt with this largely by declaring to myself that this space is my space and I’ll do what I want in it and I’ll refuse to feel the need to defend anything I write here or to explain what I’m up to. No one is asking me to defend anything going on here and I don’t expect them to, but that’s not really the point — the point is the declaration I’ve made to myself that this is a space to get a little free of the usual constraints I place on myself. Doing so under a pseudonym is easier, even when I’m dealing with people who know the real “me.”

Finally, Danielle, the great asker of questions, asked me about the origin of my pseudonym, and Stefanie guessed it correctly. I was looking for a woman writer or a character from one of “my” periods, 18C or early 19C who was writerly but also athletic in some way. I’m not finding any cyclists from the period, for obvious reasons, and women weren’t often known for being physically strong in the time period, or if they were they were “amazons” or something similar (yes, there’s Mary Wollstonecraft who theorized on the importance of physical strength for women, but I didn’t want to call myself Mary W.). I settled on Dorothy Wordsworth as someone who wrote (and who wrote a diary, no less) and who was known for her amazingly long walks. I’d like to be known for my amazingly long walks too, so she seemed perfect.

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Writing and Authenticity

Litlove’s post from yesterday on self and image, intimacy and authenticity has sparked some great comments. Litlove discusses our image-obsessed celebrity culture and then considers what happens in blogs, arguing that while blogs often contain images, they don’t tend to become places to enshrine images of the self in the manner of our celebrity culture, but instead are places to explore identity and voice, places, in fact, that resist the reduction of people to image. Blogging is a way to explore an authentic voice and “reconnect with a more complex, genuine sense of self.”

And in the comments Litlove says this: “I think that fiction is very much the friend of truth and authenticity, and to create a fictional personae may well be a circuitous route to telling a more genuine truth about the self.” There must be bloggers who are making it all up – who aren’t in the least interested in telling any kind of truth about themselves – and bloggers who write in order to create or foster celebrity. But most bloggers, surely, write to explore a subject, or to connect with other people, or to practice writing, or to write for some reason that would strike readers as genuine and authentic.

I’m interested, though, in the ways fiction and authenticity connect in blogs. I feel that my own blog is very much “me,” it feels genuine and authentic, and yet I’m also aware that I have a blog “persona,” that it’s a specific part of me I reveal here, or perhaps I should say it’s a version of me I reveal. And hiding myself a bit is a way, paradoxically, of being able to write more openly.

I decided to use a pseudonym when I first began blogging, and I made that decision mainly because I wasn’t sure what the blog would be about, and I wanted to protect my ability to write about anything. For example, to have a pseudonym meant that I could complain about work if I wanted to and (probably) get away with it. I pretty quickly figured out that I wasn’t going to write about that sort of thing, and I think the posts here are such that I wouldn’t mind just about anybody reading them. I’m retaining the pseudonym now mainly because I don’t want people to be able to google my real name and see the blog at the top of the list (I don’t imagine there are many people googling me, but I’m thinking about hiring committees or other people who have some power over me in some way and who might not “get” blogging), but I don’t mind telling people my real name if I have a reason to do it. A couple bloggers mailed me books recently (thank you!), and I had a strange moment when I had to decide if I was going to give them my real name along with my address. It didn’t take long to decide to go with the real name, but it was a moment of two worlds crossing that felt strange.

But my point is that I’m somehow mixing the “real me” with the blogger pseudonym version of “me,” and that mix feels perfectly natural.

Of course, there’s a limited number of things I write about here. I had to go through a process, when I first began to blog, of deciding what I would include and what I wouldn’t, and I’m guessing every blogger has to do something similar. I thought I could make it just a book blog, or I could make it a book and academic blog, or maybe a personal blog that included a lot of book talk. I feel like I’ve mostly settled on what I like to write about – mostly books, now and then on the nature of writing and reading, occasionally on bikes, because cycling is (one of) my other obsession(s) and it gives me a bit of variety.

Somehow establishing these limits feels freeing to me. I’m not even trying to give a complete picture of myself; it’s clear to everyone reading me that I’m not giving a complete picture of myself – if such a thing were possible. Creating boundaries enhances the feeling of authenticity, at least from my end of things; I can write about books and reading with openness precisely because I’ve closed off other subjects. Strangely enough, creating some artificiality, saying I’m going to make up a name and write about only two subjects, lets me write authentically.

So, kind of like in a personal essay, a blog can be about experimenting with identity – playing around with what you’ll reveal and what you won’t, deciding what voice you’ll use among the voices you have available to you, shaping your experiences and thoughts based on what you want me to know – and I can know you’re experimenting but still feel like I’m reading something authentic.

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More on the essay

Many thanks to those of you who suggested essay collections in response to yesterday’s post. You all reminded me of some of my favorite works and gave me quite a few names I hadn’t heard of. My to-be-read list is now that much longer.

I decided to take a look at the Introduction to Phillip Lopate’s collection The Art of the Personal Essay and was reminded of how great the intro is and how wonderful essays are. Here are a few quotations:

The essay form as a whole has long been associated with an experimental method. This idea goes back to Montaigne and his endlessly suggestive use of the term essai for his writings. To essay is to attempt, to test, to make a run at something without knowing whether you are going to succeed. The experimental association also derives from the other fountainhead of the essay, Francis Bacon, and his stress on the empirical inductive method, so useful to the development of the physical sciences.

There is something heroic in the essay’s gesture of striking out toward the unknown, not only without a map but without certainty that there is anything worthy to be found. One would like to think that the personal essay represents a kind of basic research on the self, in ways that are allied with science and philosophy.

….

The self-consciousness and self-reflection that essay writing demands cannot help but have an influence on the personal essayist’s life. Montaigne confessed at one point that “in modelling this figure upon myself, I have had to fashion and compose myself so often to bring myself out, that the model itself has to some extent grown firm and taken shape. Painting myself for others, I have painted my inward self with colors clearer than my original ones. I have no more made my book than my book has made me.” Thus the writing of personal essays not only monitors the self but helps it gel. The essay is an enactment of the creation of the self.

In the final analysis, the personal essay represents a mode of being. It points a way for the self to function with relative freedom in an uncertain world. Skeptical yet gyroscopically poised, undeceived but finally tolerant of flaws and inconsistencies, this mode of being suits the modern existential situation, which Montaigne first diagnosed. His recognition that human beings were surrounded by darkness, with nothing particularly solid to cling to, led to a philosophical acceptance that one had to make oneself up from moment to moment.

Still, we must not make excessive claims. The essay is not, for the most part, philosophy; nor is it yet science. How seriously ought we to take its claims of being experimental? It lacks the rigor of a laboratory experiement; it does not hold on to its hypotheses long enough to prove them. But it is what it is: a mode of inquiry, another way of getting at the truth.

It strikes me, upon reading this, that blogging can be very much like writing personal essays. Can’t writing a blog be a mode of inquiry? Can’t it be experimental, maybe even more so than a personal essay? It is like a personal essay in the sense that the writer can try out ideas, experiment with ideas, create and shape the self like Lopate says an essay can, and it is unlike the personal essay in the way it can be communal, a group form of inquiry, or, at least, a form of inquiry that allows input from others. What else is a blog, but a way of making oneself up from moment to moment?

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On labels

What is your definition of a “writer”? This question interests me because I’m someone who writes regularly, and yet I feel uncomfortable claiming the label of “writer.” I’ve read other bloggers who say they are not writers, and I’ve retorted, “yes, you are!” and yet I’ve said the same thing about myself, quite recently even. It feels easy enough to call someone else a writer, but to call myself one is different.

I think claiming the label is difficult because of all the associations I (we?) bring to the term — a writer is someone who writes for a living, or someone who aspires to write for a living, someone, at least, who is working toward that status. A writer is someone who gets published, or who aims to get published, in print or online places that have some kind of selection or peer review process. A writer … I don’t know … is a much more serious person when it comes to language and writing habits than I am.

And yet, what does it mean to be a blogger exactly? Bloggers write regularly, many of them take a lot of care with their language, some of them aspire to write for a living. Can one call oneself a writer, if writing is a hobby? If it’s done purely for fun, with no professional interest? I suppose claiming the label indicates a kind of seriousness and a certain self-regard that I, and I suspect others, tend to shy away from.

I have the same question about the term “athlete.” I don’t feel like I’m an athlete, exactly, and yet … I compete and I train and I take my riding seriously. I devote a lot of time to it, and I care about it. But I’m not a professional athlete, and there’s the trouble with claiming the label. It’s not a career or something I do full-time.

I have no problem saying I’m athletic, or saying that I write; the problem is saying “I’m an athlete and a writer.” It’s the amateur status, the fun of it, the free time I use for it that makes both endeavors seem not quite serious enough to justify the label.

As far as blogging goes, I wonder if this discomfort with the writer label has something to do with the strange and new status of a blog. When someone blogs, it can be for a range of reasons — from keeping in touch with friends to honing a writing voice or attracting new readers, sometimes to the blogger’s published writing — to increase sales of a novel, for example. And people can write fiction this way too — purely for personal pleasure and kept private or for the sake of publication. But blogs are available to the public from the beginning, and so bloggers are blurring the line between writing done for private pleasure and writing done for a reading public. And every time I post something, Blogger calls it “publishing.”

So does blogging automatically make one a writer? Is being a writer the same as writing regularly?

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Ways of reading

There’s a really interesting conversation on reading and teaching literature going on over at Litlove’s blog: check out this post on Huck Finn and make sure to read the comments, and then check out this and this follow-up post on teaching literature. The Hobgoblin is writing about it too: check out these two posts, and over at Reading Matters they are discussing getting turned off of books in high school: see this and this. There seems to be a lot of interest in the topic; people are considering ways to inspire a love of reading in students instead of destroying the experience for them, as too often happens, and they are writing about academic and non-academic, or general, or “common,” ways of reading and the relationship between the two.

For me, I had a wonderful undergraduate experience of studying literature, and what I remember most is the passionate way some of my professors spoke about what we were reading. In the best classes, there was no divide between emotion and intellect; these professors modeled a way of responding to literature that was smart and academic and intellectual, but was also personal. I remember a friend with whom I shared a class saying that we weren’t taking a class in the Modern European Novel, we were taking a class in Literature and Life. And it felt that way – the professor wasn’t afraid to make connections between what we were reading and his own life and he encouraged us to make our own such connections. The critical theory class I took was a bit less personal, but we still had the feeling that what we were doing was less reading up on critical theory and more trying to gain some wisdom about the world. Now, this department had a pretty traditional, conservative approach to the discipline, one that I learned how to critique in grad school, but I am very grateful for the things I read and the things I learned – even those things, maybe especially those things, my teachers didn’t set out to teach me.

I didn’t see this passionate, emotional approach in grad school all that much. In my undergrad years, I felt that we were encouraged to read and think and write with our whole beings, but in grad school, this attitude was more embarrassing than anything else. My first impulse is to say, well, grad school is the time students get professional about the discipline, and so there’s less room for the emotional stuff. But that’s wrong – what I really think is that the way grad school can squeeze the passion out of some people is a very sad thing. The difficulty comes partly from the theoretical environment of the time – I am very interested in theory, but some kinds of theory make it difficult to talk about emotion and personal responses and the big questions of life and our personal stakes in our reading without feeling naïve. And grad school doesn’t encourage risk-taking or vulnerability; on the contrary, it can be so hard on the ego that students are left not knowing what to think or what they like anymore.

I also think our understanding of what it means to be professional shouldn’t include being emotionless and dry. Becoming a professional shouldn’t involve chopping oneself up into discrete sections – mind here, heart there; academic reading here, fun reading there (to be kept secret); dry critical prose here, personal writing there (also to be kept secret).

And, moving away from the world of academia, I think book blogs are places where people can, if they are interested, combine intellectual and personal approaches to reading. I think of my own blog as a place to explore ideas – maybe even serious, theoretical ideas – and also as a place to talk about how much I love books and how much fun it is to be a reader and how I react to books personally, and also as a place to remind myself that I do more than read and think, that I have a body that needs to go out and ride a bike regularly.

One of the things I love best about blogging is the way it brings together people from such diverse backgrounds, so we can have a conversation about books and reading that includes people with all levels of academic training, from those who stopped studying English after high school or their college Introduction to Literature course to those who have a PhD. Everyone benefits from this. From what I have seen, book conversations in academic departments can too often turn into competition and intellectual posturing and people forget their enthusiasm about books. Academics can benefit from remembering the much broader world of enthusiastic reading and writing that goes on outside the university. And I think there are lots of non-academic readers who are eager to hear about the ideas and theories academics have read and thought up. We too easily forget that we all have something to teach each other.

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Has blogging about books changed how you read?

I’m curious what you book bloggers out there have experienced. Sandra from Book World got me interested in this question when she wrote:

I realise that the tyranny of blogging and of feeling that I have to deliver something ‘new’ has meant that in the 18 months of this blog’s existence, only one of the books I’ve read has been a re-read. That’s not at all typical of my pre-blog reading profile ….


Has anyone else felt that blogging can be tyrannical? Having begun blogging in mid-March of this year, I haven’t been doing it long enough to know, really. My reading habits have changed, but I can’t tell yet if those changes will be permanent or if I’m going through a temporary stage, doing some experimenting I’ll give up eventually. And right now I’m having so much fun blogging that it’s hard to imagine the negatives that come with it, but I’m sure they are there to be discovered.

Blogging has made me a more careful reader, at least to the extent that I take the time to post on quotations I’ve found meaningful and to develop my responses to books enough to write them down coherently. This is probably one of the best things about book blogging. (I’m imagining getting comments and taking part in conversations would be another for a lot of people). Now I have a record of quotations and my thoughts about books. Perhaps I’ll remember better what I read, or at least I’ll be better able to remember the things I’ve pulled out of my reading to write about. Writing about what I think makes me have better thoughts.

By reading blogs, I’m also hearing about more books than I did before. Well, maybe I’m paying attention to what I hear a bit more. There are tons of places to get information about books, and I’ve always heard and read a lot about the books out there, but I’m coming to think that book blog sites are among the best sources of information because I can come to know and trust the writer’s opinions. There’s context there, a much more complex one than in a regular book review. Yes, I pretty much know what to expect from, say, the New York Review of Books, and that provides a context in which I can judge how to respond to a review, and there are some reviewers who publish so frequently I get to know their opinions and tastes, but in a book blog, I get a much stronger sense of the writer and so can trust the recommendations that much more confidently.

I mark up my books more than I used to, and I catch myself thinking of blog posts as I read, looking around for good quotations and trying to decide if a particular idea or scene is worth turning into a post.

My to-be-read list is growing rapidly. I’ve had such a list for a while, but it tended to be fairly short; I’d only put books on there that I was highly likely to read at some point in the near future. But now it’s growing, partly because I’ve made a conscious decision to make it more comprehensive, and partly because I’m coming across so many more things I’d really, really like to read.

Shortly after beginning the blog, I started reading more than one or two things at once after I read about other people’s multiple-book-reading habits. It sounded like such a good way to read in different genres and to read difficult things I might not want to spend hours with in one stretch. This makes it easier for me to read poetry and difficult nonfiction.

I wonder, as I go on, if the fact that I’m blogging about reading will affect my choice of books. I can see why blogging might lead to less re-reading, as Sandra points out, since I wouldn’t want to bore you with another review of the same book I read a year ago. On the other hand, though, if every reading of the same book is different – if I read Evelina differently now than I did in a graduate school class years back – then blogging about a re-reading might be interesting, for comparison’s sake. Sometimes I’m tempted to re-read pre-blog books I really love, just so I can have the fun of blogging about them.

I can imagine wanting to read the things that other book bloggers are reading in order to be a part of the conversation, but also NOT wanting to read what other book bloggers are reading, so that I’m not talking about the same thing everyone else is. The best thing to do, of course, is to try not to let these factors influence me and just pick books that sound appealing for other reasons, but I can see that I might be affected by what other bloggers are doing anyway.

I also wonder if and when the regular blogging gets tiresome. I haven’t felt anything but pleasure in it so far, but I would expect blogging over a long period could sometimes feel like a chore, like tyranny.

I am sometimes torn between the pleasure of reading books and the pleasure of reading book blogs. This may be one of the more difficult things of being a book blogger: that there are so many good book blogs to read and all those hundreds and thousands of blogs can be a distraction from what is the main point, really – reading books. I’m not sure if I read faster or slower, more or less than before I began blogging. Sometimes I want to read faster so I can be sure I have something to post about. Other times I have so many things to post about I want to read slower, so I won’t get even more ideas, and I don’t want to post too often and overwhelm readers – and myself. Does anyone worry that they won’t have anything to write about?

So, if you have a tale to tell about how blogging has changed your reading, I’m curious to hear it.

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More metablogging

I was excited to read this post from Kate’s Book Blog. Yes, she quotes me in this post, but that’s not why I was excited — it’s because the part after she quotes me is so interesting. She talks about travel writing first of all, and describes two kinds: travel writing that foregrounds the author’s own experience as well as the places traveled through and travel writing that tries to be objective and authoritative by removing the presence of the author. Kate prefers the former kind, and I fully agree — it strikes me as more honest if an author doesn’t pretend to be objective, since this, when it comes down to it, is impossible.

One of my favorite travel books along these lines is Mary Wollstonecraft’s Letters Written During a Short Residence in Norway, Sweden, and Denmark. Here Wollstonecraft has a lot to say about what she sees in these countries, but she also writes a lot about her mental and emotional state as she is traveling and thinks about how this state affects the observations she makes. Before she left on the trip, she found out her lover had been unfaithful and she made a suicide attempt, and she doesn’t write about these details in the text, but she alludes to sorrow and heartbreak. It’s a short, beautifully-written, evocative book.

But Kate also makes a point about how blogging can be like travel writing:

How is this brief meditation on travel writing relevant to the practice of book blogging? My favourite litbloggers travel into books with an open mind and send back dispatches. They don’t purport to describe the book in objective fashion; they write about their encounter with the book revealing something about their previous reading, their preconceptions, their aesthetic sensibilities along the way. If it’s a return visit rather than a first encounter, they may reflect on shifts in their perception of the terrain this time around. And, most important, rather than expecting fellow readers to take their word as final, they encourage us to pick up the book and see it for ourselves.

Litblogging here is a “journey” through books, reported on subjectively, with self-awareness and without the illusion of objectivity — I like that. Aunt B. has something to say about this as well, from another angle:

That’s what I love about blogging–you throw out some ideas, you get some feedback, you come at those ideas from a slightly different way next time, you get more feedback. Writing in this setting isn’t about a finished, set, product, but about circulating ideas and clarifying what you think. I love to blog because, when I write, I know you, whoever you are, will read it.


Here, blogging is exploration, or travel, as well, this time with input from readers, and it’s about remaining open to change and revision. Ideas keep circulating (travel!) rather than settling down into something finished.

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Meta-blogging

I came across this post on Michael Berube’s blog by guest blogger Lance Mannion, which starts off as a discussion of Kurt Vonnegut’s book Timequake, and then veers off into a discussion of blogs. I liked Lance’s description of what it is that many blogs do. He uses this quotation from literature professor Arnold Weinstein as a point of contrast to his own view:

My view of art is quite at odds also with the electronic network that stamps our age, because the Internet culture, however capacious it might be, is also largely soulless and solipsistic—informational rather than experiential—when contrasted with our engagement with art.


Lance then goes on to say this:

Weinstein, being a professor of literature, recommends literature, and the arts in general, as the antidote to the soullessness and solipsism of the Internet culture. But I think that the bloggers I read most often are the ones who use their blogs to write their way through the informational to the experiential, who try to turn what is impersonal and overwhelming in the constant wave of information that comes to us through our computer screens into something intimate, coherent, comprehensible, human. It sounds too high-flying to call them artists. But it is accurate to call them writers.


Yes! I don’t agree with Weinstein at all that the internet is “largely soulless and solipsistic” and therefore antithetical to art — well, it doesn’t have to be. The best of it isn’t. And I agree that the internet and blogging don’t have to be about information rather than experience. That the best of what bloggers do is process information from their own backgrounds and with their own voices, and somehow turn it into a part of their experience, which might not be art, but then again, might well be.

I’m aware that a lot of the most popular blogs are those that pull together links about a topic — books or politics or whatever — and become portals to interesting places online. But the blogs I like best are those with a personal voice; when it comes to book blogs, I like those that are more like reading diaries than collections of links. I only read book blogs intermittently until I came across the ones that were reading diaries, and then I was hooked.

I’m beginning to think that the best blogs are crosses between diaries and personal essays — with, of course, the links and the interactivity thrown in there. I love personal essays — one of my favorite books is Philip Lopate’s anthology The Art of the Personal Essay. If the voice in an essay is interesting, it almost doesn’t matter what the subject is. I read them for the personality, the sense of the author that lies behind the words, and I think that’s what I enjoy about blogs too. I want a sense of a personality coming through. And I love the way that personal essays — and blogs — don’t have to be consistent or coherent from one part to the next. They are places to explore ideas, not necessarily to present well-thought-out conclusions. Montaigne, one of the best personal essayists was upfront about being contradictory. And people themselves are contradictory, so why not?

So, yes, the internet is overwhelming with all its information, but it’s also a place to process some of that information and to make it personal and meaningful, which is what the best blogs do.

Lance is uncomfortable calling bloggers “artists,” which I definitely understand — blogging seems so spontaneous, so seat-of-the-pants, and I think of art as painstakingly crafted. But … can diaries can be art? … I guess blogging is one of those forms that throws all our categories into disarray.

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Conversation

I was reading this review by Russell Baker of Stephen Miller’s new book Conversation: A History of a Declining Art in the New York Review of Books, and, while most of the review was good and the book looks interesting, I was bothered by one passage in it. In the process of analyzing the reasons why the art of conversation seems to be declining, Baker considers the way technologies such as television, radio, and internet can keep us from talking to each other because of their endless distractions. He says:

Television and radio, alas, are no longer the only irresistible forces destroying conversation. They are now supported, perhaps even outdone, by iPods, cell phones, computers, BlackBerries, electronic games, Netflix, and the Internet. For years books, newspapers, magazines, movies, and recordings have helped people achieve what Miller calls “conversational avoidance,” but in this new age of electronic miracles amok, conversation is being hard pressed to survive. The man who wants to say a few words of his own nowadays may have trouble finding anyone to listen, but never mind, he can always retreat to the solitude of his Web site and speak to the whole cyberworld through the electronic megaphone he calls his “blog.”


Now, I know the kind of “conversation” Baker (and Miller, but I say Baker because he’s the one I’ve read) is talking about is in-person, face-to-face conversation, and that that’s the dictionary definition of the word. I know he’s not considering the larger, perhaps metaphorical, sense of conversation as something one can have at a distance, through letters or email or comments on blogs. Perhaps I shouldn’t criticize Baker for not taking up all kinds of conversations, for having a narrower definition than the one I’m using. I know that face-to-face conversation is different than written exchanges: there’s a spark and spontaneity and vulnerability in these conversations which don’t exist in other kinds in quite the same way.

But I still thought this portrayal of blogs was off, and that blogs can foster a kind of conversation that is important, albeit different from face-to-face ones. Blogs don’t have to be megaphones. And because of the possibility for commenting and emailing through blogs, they strike me as in a different category than TV, magazines, movies, etc., which don’t allow interaction.

The problem with understanding conversation solely as spoken and face-to-face, I think, is that it privileges those who are good at speaking and thinking on their feet. Some people are good at this kind of conversation and others are not. Baker talks about whether the gift of conversation is just that — a gift — or whether it can be learned, but that aside, some shine at it, while others don’t. And for those who don’t, writing one’s thoughts and responding to others through writing can be an alternate way to excell at conversation. I bet a decent number of people who write blogs and comment on blogs are more comfortable writing than speaking. I think it’s true for me.

When I teach, I like to use electronic discussion boards as well as holding oral discussions for this very reason: some students love to talk and debate and others prefer to write out their thoughts. Whether spoken or written on a discussion board, it’s a conversation, and I think students can benefit from trying out both ways.

I do get the point that there’s something special about spoken, face-to-face conversation, but I don’t see the point of elevating that kind over others and failing to recognize the benefits of conversation through writing.

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A moment of confusion

As I was driving home from work one day recently, I was overcome with this feeling that I want to be back home reading my novel as soon as possible. It was one of those feelings that comes out of nowhere, suddenly, and disrupts whatever it was I was thinking about before, if anything. And it wasn’t a thought, it was pure feeling: I wanted my novel and wanted to be back with the main character once again. I missed her.

Then rational thought kicked in, and I realized that I’m not in the middle of a novel. At least not that kind of novel. I’m in the middle of The Tale of Genji, but that really isn’t a novel, not the type I’m thinking of, and, enjoyable as it might be, it’s certainly not the kind of novel I long for. So what was that feeling all about?

Then I realized, it’s Aunt B. from Tiny Cat Pants I’m missing. I don’t want to read any novel right now; I want to read her latest blog entry! It’s her voice I miss! Now a blog has taken the place of the main character whose company I want to return to again and again. My confusion was strange, really, since Aunt B. is a real person, not a fictional character. At least not a fictional character in the sense we usually think of. I suppose any blog “persona” is at least partly fictionalized, at least distinguishable in some way from the real person writing the blog. But this tells me that it’s the voice I care about in whatever I’m reading. It’s just that I’m so trained by my fiction-reading that I expect to feel this way about a novel. I don’t read for plot; I read so I can be in the company of an interesting person. It’s why I love personal essays, which are strong on voice and personality, as well as novels. A blog is related generically not only to the diary but also to the personal essay, I think, with its often rambling, loosely connected nature. So, let me go and see if she’s got another post ….

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Blogs and diaries

I mentioned an article about diaries and blogs by Laurie McNeill in an earlier post (the article is from the journal Biography, which doesn’t have free access online, as far as I know – I got my copy from my academic library), where McNeill considers whether online diaries and blogs are a new genre or simply a new form of an old genre. She comes down on the side of seeing online diaries and blogs as a new form of an old genre:

Are Internet diaries, and their generic relations, the Weblogs, a different form from diaries in traditional print media? Or have Internet users simply adopted the traditional diary genre and adapted it to the public realm of cyberspace? … its practitioners in many ways reproduce the traditional diary, upholding instead of resisting the genre both in form and content.

I’m not convinced, however. Yes, a lot of the conventions are the same, including the regular entries labeled by date and the chronological order. But my experience tells me that reading and writing blogs is a very different thing than reading and writing diaries. I think that we are looking at a new genre, not an extension of an old one. McNeill does point out how blogs are different than diaries, but I don’t think she credits the differences enough. I’m actually not generally hung up on issues of categorization, but I think in this case that to call blogs diaries obscures the most interesting things they do.

Doesn’t the different relationship to readers make a big difference? And doesn’t the presence of those readers shape the types of things said? I am reading Virginia Woolf’s diaries at the moment, and I am reading them long after her death. If I had been alive during her lifetime, I would not have been able to read her diary. I certainly wouldn’t have been able to comment on it. The expectation of privacy with diaries is important. Blogs, however, are meant to be public, meant to attract readers, or why would they be online? Many of them aspire to attract readers’ comments, turning a very private diary genre into a dialogue. McNeill also doesn’t recognize that many blogs mix the personal stuff with lots of information and links that are meant to inform readers. Blogs, unlike diaries, can combine personal and public information and therefore serve the purposes of writing about the self AND influencing (or trying to influence) public debate.

I’ll close with Woolf’s take on diaries from her January 3rd, 1918, entry:

The diary habit has come to life at Charleston. Bunny sat up late on the Old Year’s night writing, & Duncan came back with a ledger, bought in Lambs Conduit Street. The sad thing is that we daren’t trust each other to read our books; they lie, like vast consciences, in our most secret drawers.

The diaries are secret, but she also sees that as a sad thing. Hmmm … would she have been a blogger? What do you think – are blogs a brand new genre?

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Not a lot about me

As you will see if you look around, I’m not revealing a whole lot about myself here. Obviously, I’m using “you” in that sentence mostly to refer to future readers who will avidly read through my archives (I say with naive optimism), since I have no readers now. Even so, even without readers, I’m uncertain about giving out details about myself. (So why am I writing a blog, you might ask. Good question.) Here are a few facts: I’m an academic. I work as a college instructor and an academic administrator. I just earned an advanced grad degree.

I’m not interested in having an academic blog, however, although I read some of them and like reading them. What got me interested in blogging were those litblogs written by non-academics, like So Many Books and Book World, which are so enthusiastic about books it’s infectious. Reading academic blogs feels just a little bit masochistic. I spend plenty of time thinking about academic issues as it is (and often that time is plenty painful). Of course, the categories aren’t clear — a blog doesn’t have to be clearly “academic” or a “book blog,” it can be both. And I’m sure I’ll write about my students occasionally or other academic matters. But I want to bring some of the pleasure and excitement about books I see in many of the book blogs into my own writing. I’m not an amateur (I labeled myself an academic over at Metaxu Cafe), but can I pretend?

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On blogging

I’ve been reading quite a bit about blogging — the blog as genre, how to attract readers to your blog, the “rules” of blogging. I stumbled across two things, only one of which I’ll discuss today: a scholarly article on blogs and diaries (I’ll save that one), and the forums on MetaxuCafe, a site for “litbloggers” (I joined recently, and you can see the link over on the left). In their forum on “Blogging issues and ideas,” they have a thread on the question, “What is normal activity for a blog?” The posts discuss how to get readers and how to get people to comment; one person recommended being controverial now and then, not too often, or you will get a reputation for having knee-jerk responses, but enough to get people reading. The group wisdom seems to be that you need a big, popular blog to link to you, and then your readership will skyrocket. But some people report slow but steady increases in readers.

Someone else mentioned the “three pillars of blog traffic: focus, short posts, and the pop/gossip/controversy factor.” This is the sort of thing that intrigues me. Blogs are so new, and there are already rules for them! But people are breaking those rules! I read lots of blogs with long posts, and, if the writing is good, I come back to them all the time. I like unfocused blogs that discuss anything and everything — as long as the writer is interesting.

We (writers, readers) craft rules of genre so fast, so that almost instantaneously we have some rules to break. Every blog has the blogroll, the links, the personal information (or noticeable avoidance of personal information), the archives. Before creating my own blog, you can bet I spent some time checking out what other people have done and thinking about what things I want to steal and what others I’d like to adapt. So far, I’ve shaped my blog based on the book blogs I’ve read and liked. So I’ll include the occasional book review, the posts on reading itself, the experience of buying books.

It’s fun to think about what the “blog genre” is, how the medium shapes it (those three pillars are perfect for the what we have come to expect from the internet), and how individual bloggers are contributing to the genre as a whole.

So, to follow one of the suggestions for attracting comments, I’ll end with a question: how much is a blog like or unlike a diary?

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