Updates: Recent reading and 35 weeks

I hope everyone is having a great holiday season. All is well here, although everything feels slightly strange, in a not-bad way. Hobgoblin and I usually spend Christmas with my parents, but this time we didn’t want to drive the six hours required to get there so (relatively) close to my due date, so Christmas was quiet, with just the two of us and Muttboy. But we had fun opening presents, eating Hobgoblin’s awesome cooking, and seeing The Hobbit (not my kind of movie, really, and not perfect, but enjoyable nonetheless).

And now I … wait. After submitting final grades last week, I now have no obligations at work until I return 6-8 weeks after the baby is born (at which point I won’t have many obligations — it will be nothing but putting in an appearance in the writing center a couple times a week during the remainder of the spring semester to keep the paychecks coming). So all I have to do is stay healthy, take care of a few things like buying a car seat and arranging the nursery, and sit on the couch and read in between muttering complaints about my sore back. I’m extremely lucky to have so much time to rest before the baby is born (extremely!), but at the same time, I’m wondering what the next few weeks will bring. I generally don’t deal well with having a lot of time on my hands. I get anxious and cranky and find myself doing nothing at all. But this time I’m going to keep telling myself to enjoy it while it lasts, because it won’t last long, and maybe I’ll convince myself. We’ll see.

As for what I’ve read recently, I’ve been ploughing through Francis Burney’s long (900+ page) novel Camilla and should finish it in a day or two. It’s been a fun read. Yes, it could be shorter — there are episodes that could easily be cut — but it’s obviously not the kind of book you pick up when you want a quick read; it’s the kind of book you pick up when you want to be absorbed in a long story, and it’s perfect for that. Camilla is that very typical 18th/19th novel character — the young woman venturing out into the world for the first time without the protection of a mother, finding that all is not what it seems and that people can be treacherous and deceitful. Even those who appear to be kindhearted and friendly can pose dangers — in fact, these are the most dangerous of all because they seem so trustworthy. But they are all too often frivolous, or friends with the wrong people, or profligate with their money, or vain, and they lead poor, susceptible Camilla down dangerous paths. The book is all about the dangers of having the wrong friends, and also, although Burney wouldn’t frame it this way, about how horrible it is that women of Camilla’s background can’t easily earn money. As the novel goes on, it gets more and more obsessed with money and the problem of not having any, and Camilla can do nothing about it except look for new people to borrow from and hope her relatives can come to her rescue. If only she could just work a small part-time job for a while, she would be fine, but, of course, she doesn’t live in that world. And I don’t live in Camilla’s world, a fact for which I’m very, very grateful. The restrictions she lives under are absurd, but no one in her world sees it that way.

I also finished Virginia Woolf’s diary, volume 2, which I’ve been reading off and on for several months now. I’ll admit I skimmed over some of the passages where she talks about her social life, except those where T.S. Eliot and E.M. Forster appear, in favor of passages where she discusses her writing and reading and her mental state. Those passages are fascinating, particularly toward the end of this volume where she is working on Mrs. Dalloway. She struggles with it at times, but she also seems to know that this is going to be one of her masterpieces. She is writing in a way that pleases her and she doesn’t much care, at least in her best moments, about what people think. She’s found her style and her subject, and it’s fun to know from the perspective of the future that her confidence is justified.

A few quick notes on other books I’ve read in the last month or so: first, Katherine Boo’s Behind the Beautiful Forevers, which was as great as everyone seems to be saying it is. It’s an absorbing story, and at the same time it leads you to thoughts, questions, and conclusions about global economic structures without being at all didactic. She has a great way of keeping her focus on the story, but getting the reader to realize the implications of the story without spelling them out. Surely that’s not easy to do.

I also read Christopher Beha’s What Happened to Sophie Wilder, which I liked very much — it has a satisfying structure and is the sort of book that makes you turn back to the first page after finishing it to see what you missed the first time around. It turns out to be worthwhile to take that extra look because then you understand the book as a whole so much better. It’s a book about art, specifically about being a writer, and it’s also about faith. This is where I balked a little bit, for the very personal and non-literary reason that I didn’t understand the religious conversion the main character undergoes. Hers is a kind of faith I have a hard time wrapping my mind around. I’m still undecided as to whether Sophie makes sense as a character. But in a way this is okay because the narrative purposely keeps a distance from her and she is meant to be mysterious (as the novel’s title indicates). I liked the way the novel circles around her, trying and never quite succeeding to understand what happened.

And, finally, I finished Christina Schutt’s novel Prosperous Friends, which was a dark and difficult read that I liked very much. The characters are complicated and frequently unlikeable and the prosperous friends are not always friends you actually want to have. It’s a book about relationships and marriages gone wrong and only occasionally going right. I think I’m in the mood for unlikeable characters these days, so all this was fine, but I particularly liked the writing, which was rich and poetic — not always a good thing as far as I’m concerned, but it worked well here. The writing makes you work a bit, as Schutt does not always fill in all the pieces of the narrative, but it captures the mood of the novel perfectly.

I’ll close with my latest picture, which shows me looking a little bit harried — which is only to be expected, I guess! I hope to be back soon with my year-end round-up.